In Kibera, one of Africa's largest slums, JR photographed the faces and eyes of local women and turned them into large-scale posters. These posters were then placed on rooftops and trains, transforming the landscape and drawing attention to the strength and resilience of these women. The project highlighted the critical role women play in their communities despite facing immense challenges.
In various cities across India, JR's "Wrinkles of the City" project involved photographing elderly residents and pasting their images on the walls of buildings. This project aimed to capture the wisdom and stories of the older generation, emphasizing their contributions to the city's history and culture. The large-scale portraits created a powerful visual narrative about aging and memory.
In Rio de Janeiro, JR worked in the Morro da Providência favela, covering the facades of houses with black-and-white photographs of the residents' eyes. This initiative was part of his broader effort to humanize marginalized communities and challenge stereotypes. The art installations fostered a sense of pride and identity among the residents, while also attracting global attention to their living conditions.
The "Face 2 Face" project involved photographing Israelis and Palestinians who hold similar occupations and posting their portraits side by side in large formats in various cities. By juxtaposing these images, JR aimed to highlight the commonalities between the two groups, encouraging dialogue and understanding in a region marked by conflict.
In the United States, JR's "The Gun Chronicles" project featured a massive mural that included the portraits of people from all sides of the gun debate. This project was displayed in a prominent location and aimed to foster a nuanced conversation about gun control, rights, and safety by presenting diverse perspectives in a single, cohesive piece of art.
Back in his home country, JR's "Portrait of a Generation" project involved photographing young people from the suburbs of Paris and pasting their images in the city's more affluent areas. This project sought to bridge the social and economic divides within the city by bringing the faces of marginalized youth into the public eye, prompting reflection and dialogue among the broader population.
In Tunisia, the "Inside Out Project" was part of a global participatory art initiative where individuals could share their own portraits and stories. JR facilitated the creation of large-scale posters that were then displayed in public spaces. This project empowered people to take ownership of their narratives and contributed to a broader movement for social change and self-expression.
For more insights on JR's projects and their impact, visit the Conclusion: The Role of Art in Changing Perceptions page.